Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Wednesday, October 24, 2018
Gene Pritsker, Eclectic Music Extravaganza
With today's music program we get something that is more or less pure fun. Here the "eclectic" in the album title is no accident. For this is an all-Pritsker program of chamber music that while quite serious about itself is nevertheless fearless in what it allows itself to view or to appropriate for the end of the works at hand.
So the listen is a rewarding one on this album. You put it on and get some really worthwhile recompositional reworkings of Bach's theme from the first movement of the "Well Tempered Clavier," for example, and I think of how Satie did something like this on a Clementi Sonatina. If that is eclectic and it no doubt is, it is in the best way. But the eclectic has a horizontal axis too. It is not just one like paired again its like. It is all influences in cross-spectrum. So then too you listen and hear Gene taking on...Death Metal in some really fetching antics for vocal, piano and drum set. Then how about some piano music that unabashedly works within a ragtime Jopliniana mode to contribute a new spin on the rag possibilities?
We get eleven short works or short multi-movement works and they are all good to hear. There is no doubt that "Modernism" is what we have as opposed to post-post variety packs (have to be of a certain age for this aside? As in Post Toasties?) And the eclec-ticity is not so much a shocking thing as a familiar and reassuring sort of familiarity-in-difference. I do recommend you hear this by all means. Gene Pritsker is a force! Bravo.
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