Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Thursday, June 15, 2017
44 Waltzes on 88 Keys, Schubert, Brahms, Dvorak, Ravel, Peter Schaaf
An important key to it all is Peter Schaaf. Most of the waltzes have a periodicity and symmetry that have generally been expected of the form over the years. Excepting Ravel's "Valses nobles et sentimentales" they have brilliance but also a dominant regularity of waltz form. They give a world-class pianist an interpretive set of possibilities that includes rubato, dynamic variations, subtle articulations, varied attacks and whatever else seems fitting to the artist in his or her vision of what a performance might sound like. Of course a supremely endowed pianist may make a love-fest of pretentious over performativity out of works like this, if "taste" is not sufficiently present.
Peter Schaaf has the ability to keep the musical content foremost while engaging in convincing interpretive readings. The Ravel, most inviting to the interpretive arts, has a subtle beauty in Schaaf's hands. Like the more straightforward waltz pieces in this delightful program, the readings wear well and bring to the forefront the brilliance of the composers involved.
Schaaf makes of it all a great pianistic outing. I do not fail to respond to this program, no matter what mood I may be in, and I have been in definite moods lately so I am confident in my reactions.
44 Waltzes is a kind of triumph of musicality. I heartily recommend it! Schaaf makes the experience a true pleasure.
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