Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Wednesday, June 7, 2017
Piotr Szewczyk, Bliss Point, Selected Chamber Works
The violinist and composer is Polish-born, which explains the hard-to-spell name. The music does not sound so much Polish as modern-international in scope. There is a great rhythmic vitality and kinetic energy in this music.The modernistic thematic-harmonic bedrock of the music is in no sense vitiated by its rhythmic core. The whole gestalt of the music enchants and speaks with a specially singular voice that makes it all stand out.
Nine works in all, each with an instrumentation that seems wholly appropriate to the piece at hand. The combinations and permutations are considerable--oboe, violin, cello and piano; violin and viola; piano trio; string quartet; flute, clarinet, cello and piano; string trio; violin and piano; two violins; and violin, clarinet, cello and piano. Each has considerable individuality. Each is performed with zest and sympathetic understanding.
This one is memorable! Viva Piotr Szewczyk.
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