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Thursday, November 9, 2017
Alla Elana Cohen, Red Lilies of Bells, Golden Lilies of Bells, White Lilies of Bells
Seven works grace the program, each a world unto itself. There is an expansive modernism at play along with a certain mystical poetic quality at times. I also detect a Jewish-Russian Orthodox melodic element on occasion, sometimes not pronounced and quite subtle, other times more overt in keeping with the associative extra-musical theme.
You can hear the more modernistic side on "'Inscriptions On A Bamboo Screen,' Series 4 for Soprano and Viola." There is an expressionist edge to be heard on this one and sometimes in the others.
The contrast between the above and the more intimate, searching quality of "'Hoffmanniana' Series 3 for Solo Cello in 4 Movements" is instructive.
With the more fuller instrumentation of something like "'Inner Temple' Volume 1 Series 11 'Shabbat Nigunim' in 4 Movements'" we find tone-color beauty and a kind of inner spiritual yearning. Perhaps not surprisingly Ms. Cohen brings in a Jewish minor melodic element that has a kind of brilliant presence in the modernistic matrix. I love it.
In all this makes for a strongly individual contemporary program. Ms. Cohen is not afraid to let her expressive needs take her far beyond a formalism or the sort of methodological rigor that we became used to in classic serialism. Those "scientistic" days may mostly be forever gone. Ms. Cohen occupies a healthy present. She uses modern means to embody ideas and feelings. And she does it in her own way.
The music is richly meaningful and memorable. Anyone with a taste for new music will find it worth an extended visit and I hope a good number of return trips. Recommended.