Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Friday, February 15, 2019
Aram & Karen Khachaturian, Music for Violin and Piano, Ruben Kosemyan, Natalya Mnatsakanyan
We get to hear Karen's 15-minute "Violin Sonata in G minor Op. 1" (1947). It has an Armenian melodic quality; it has a rhapsodic air about it with memorable themes and a kind of earthy yet expressive way that make it quite worthwhile to hear.
The rest of the album is Aram in situations both quite familiar and then less so, but ever characteristic in his gift for crafting music one does not forget easily. His most well-known work, the "Sabre Dance" from his ballet "Gayne" appears here in its Heifetz transcription for violin and piano. It loses none of the excitement of the original and has a different sort of intimacy in the duo version that Kosemyan and Mnatsakanyan capture readily and fully. The same can be said for the beautiful "Andante Sostenuto" transcribed from the "Violin Concerto," haunting music that benefits from an alternate hearing in chamber terms.
It is nice to check out the less familiar pieces on here as well, a "Dance," the "Lullaby" and "Ayesha's Dance," the latter two from the ballet "Gayne." Good to hear also are the "Song-Poem" in Honor of Ashugs and the "Adagio" from the ballet "Spartacus," both in duo arrangements here that seem perfectly suited to the character of the music.
A key to the success of the program is the sensitive and artistic sensibilities of violinist Ruben Kosemyan and pianist Natalya Mnatsakanyan. They are in their element with this music and obviously relish the playing of it. Add to that the very low price of this Brilliant release and you have a very worthy disk that could serve as an excellent introduction to both composers or a welcome supplement if you already know their music. Recommended.
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