Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
Search This Blog
Monday, February 25, 2019
Dussek, Complete Piano Sonatas Volume 4, Tuija Hakkita
As I contemplate the noteful and peppy Classicism of Dussek's Complete Piano Sonatas Volume Four (Brilliant 85604), as played ably by Tuija Hakkila on a period pianoforte that sounds a bit more forte than some of the vintage instruments but then charmingly untempered the slightest bit, too.
It cannot say that these particular Dussek sonatas played so well by this particular pianist on this particular instrument is the absolute ideal to me at the moment. To be honest there are times when these old pianos sound a little like sewing machines even though Hakkila gives it all a heroic effort. Perhaps it is the heroism of the music-performance tandem that makes the piano seems less up to the task than a modern instrument? I know this might be heresy but not every combination with a period piano is ideal. The pensiveness of Chopin is a great thing for the old sawbones. Not as much bravura dash such as Dussek gives us in the earlier works here.
Yet I must say that the music itself and the performances do have much to recommend them. We hear quite clearly how well wrought the music is, more perhaps (as I remarked the other day with a Boismortier disk) in terms of an everyday brilliance and not the "heavens-are-opening" paradise of a Moonlight Sonata or Art of the Fugue.
As so like one should not always drink 20-year-old-Scotch, it is probably healthy to spice up our listening with really great yet "average" "folk" music of any period. This way we can plum the most scenic vistas of "sea level" possibilities in between the soaring to the most distant stars of the most sublime music ever? So I feel quite refreshed by this Dussek, even by the almost flawed yet very characteristic period sound of the piano.
It feels like it is 1800 and we are in some drawing room being treated to some lovely sounds as we hear the Sonatas Op. 5 No. 3, the Op. 24, Op. 43 and Op. 61.
The Brilliant price is an incentive to spring for this volume. Whether you'd want the complete Dussek is a matter you'd decide after living with this one for a time. Surely it is no mistake to let yourself be beguiled by these works so dynamically performed. You will understand what Dussek can do, certainly. And he could and can do a lot for us. Even today.
Subscribe to: Post Comments (Atom)
Post a Comment