Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Tuesday, February 26, 2019
Michael Byron, Fabric for String Noise
What might surprise you if you do not know his compositional way is heard very readily in the title piece "Fabric for String Noise." The entity String Noise is the twin violins of Conrad Harris and Pauline Kim-Harris. Byron calls for them to build up a musical menagerie of twittering conferences of aviatory violins via pentatonic-diatonic double stops and rapid figurations around several shifting tone motifs. The result is a soulful trip into a heaven-sent cacaphony of multiple voices that have the immediacy of some of the Free Improv flights that achieved levitation, such as Coltrane's classic "Ascension" or some of Alan Silva's wonderful large group works. It is a journey into the Radical Tonality world in the way it stays with a serial set of motives as the springboard for the sound sculpting. It is a most delightful trip!
"Dragon Rite" takes an opposite tact in that it is build out of the low register bowed sustains of James Bergman's double bass. Where "Fabric" is high registered, Dionysian, mercurial and ever moving, "Dragon" is a block of low pitched, Apollonian stasis, slowly deep.
It is music that takes you into a special world and has its vision, then is gone. Michael Byron has a special way about him musically. Try this one and see where it takes you. It is a happy listen if you open to it like I did.
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