Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Tuesday, June 14, 2016
Miniaturised Concertos, Mache, Various Composers, Kate Halsall
The Miniaturized Concertos disk spotlights the twin piano/keys of Kate herself and Fumiko Miyachi performing works by Andrew Poppy (with chamber ensemble) Naomi Pinnock (with percussion), Philip Cashian (with chamber ensemble), and Colin Riley (with electronics and sound design). This is new-minimalism and post-minimalism in a most original and healthy steady-state.
The second disk, Mache, utilizes multiple piano and keys by Halsall, Miyachi, and others as well as additional instruments, vocals and natural or electronic sounds in the collaging of pre-existing or specially devised compositions and their transformations. Kate and James Waterworth are responsible for the sound design and collages. The results are stunning. Seventeen composers and their works are subjected to recombinatory logic in four Mache segments. The composers involved are, for the record, Ryoko Akama, Joel Bell, Leo Chadburn, Richard Glover, Duncan McLeod, Fumiko Miyachi, Andrew Morgan, Dominic Murcott, Helen Papaioannou, Richard Perks, Emma Ruth Richards, Matthew Rowan, Rowland Sutherland, Timo Tuhkanen, Simon Vincent, Ruta Vitkauskaite and Devon Tipp.
The musical soundscapes-panoramas give us a sort of state-of-the-art window on ultra-post-modern-modern worlds. It makes for a beautiful listen.
This set breaks ground and stimulates the musical ears in rather profound ways. I do not hesitate to recommend it highly. An essential offering for what, indeed, is new out there right now.
Posted by Grego Applegate Edwards at 5:44 AM
Labels: kate halsall and various composers and performers miniaturised concertos mache gapplegate classical-modern review, ultra-modern-post-modern music for pianos chamber ensemble and electroacoustics
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