Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Thursday, March 29, 2018
Kreu Zungen, Vassos Nicolaou, Johannes Schollhorn, Gerard Grisey, Dieter Mack
Three of the four works here enjoy World Premiere Recordings. None of the four are the least bit tentative or undirected. Far from that. Each work has spectral presence, pellucidly powered by the excellently muscular, yet klangfarben driven krustophany of Ensemble Musikfabrik? Yes, how else could I put it?
I am being slightly playful today, yet quite seriously this music is a rather wonderful grouping of decent-sized chamber ensemble music that takes the idea of sound color and extends it so nicely that you want or I want anyway to hear it many times. It stays with you as devilishly fascinating and utterly forward reaching sounds of great beauty. The beautiful can still exist on the New Music front and these works in vivid performance tell you how that can be.
And so I do very much recommend you hear these four composers: Vassos Nicolaou and his "Farbenmaschinen," Johannes Schollhorn and his "Pieces Croisees," Gerard Grisey and his "Partiels" and Dieter Mack and his "Kammermusik V."
It all fits together as parts of a whole, the whole being what new SOUNDS the New Music can continue to give us. That is a project very dear to my heart and so the hearing of this makes me feel like there most surely IS a future for High Modernist sound sculpting. Outstanding disk!
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