Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Wednesday, January 24, 2018
Eighth Blackbird, Olagon, A Cantata in Doublespeak, Dan Trueman with Iarla O Lionaird
Something very much a part of the excitement of open possibilities is an album, a two-CD recording of Olegon: A Cantata in Doublespeak (Cedille CDR 90000 174). The music was composed by Dan Trueman with Iarla O Lionaird. The lyrics are by Paul Muldoon. Iarla is the principal vocalist. Truman plays the fiddle. Eighth Blackbird executes the chamber score and sings additional, mostly ensemble vocals.
It is beautiful, this. It has true lyric memorability, an intriguing score of chamber instruments and some electronic enhancement. Iarla is central as the vocalist, not singing in any trained operatic way, but more in a singer-songwriter way with distinct Irish overtones, real contemporary song form. There are some lovely part-singing sections as well.
It is a work of rare provenance, tonal but modernly adventurous. A kind of "Escalator Over the Hill" (Carla Bley) for the present-day, but utterly different and original.
I am taken by this music. There is ever a place for me for beauty and poetic, winsome suchness. Olagon gives you more of it than you might have a right to expect nowadays. And we are all the better for it. Hear this one if you look for endless song.
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