Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Wednesday, April 11, 2018
John Ogdon, Original Piano Works, Tyler Hay
We have a chance to appreciate some of his remarkable music on the recent Original Piano Works (Piano Classics PCL10132). On it Tyler Hays tackles Ogdon's very technically demanding and dramatic works with genuine aplomb. I was in the dark about Ogden's music until this. I surely am no longer!
All you need do is put on the CD and listen to the first work there, "Sonata 'Dedicated to my friend Stephen Bishop'". It is piano music that dramatically enacts a special passion through an intimate understanding of the piano beneath the composer's hands. There is Ivesian brinkmanship, Sorabji-Scriabin-Alkanesque-Ornsteinian Promethean demands on the pianist, and a very convincing modern internal bite that allows for cascading dissonances and structural consonance contrasts. As you listen you grasp the tone-succession syntax as music-speak of a high order. There is a commanding pianist presence to this work that Tyler Hay takes to like duckwater takes to ducks! It is a momentary shock to hear this music for the first time. And indeed subsequent listens fully bear out the first impressions and deepens them.
That initial inner feeling does not at all dissipate in the subsequent program of an additional three works substantial and invigorating. There are some remarkable chromatic fugal mazes happily to negotiate and a good deal else to savor as well. I feel no let down as I listen repeatedly to his "Ballade," his "Kaleidoscope No. 1 (6 Caprices)" and his "Variations and Fugue."
Ogdon is a real discovery for me. If you listen to this program and its excellent performances I think you will be as pleasantly startled as I have been. Make no mistake! If you love a modern piano world as I do, you will feel right at home with Original Piano Works. The music is a modern wonder and the performances nothing short of heroic. Deliberately slapdash piano profundity never sounded so well!
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I shall definitely be investigating this, Grego! I was surprised, on first hearing Ogdon's own music (the 1st Piano Concerto, to be precise), how comparatively conservative, even Neoclassical, it was, given the man's association with the then-screamingly-avant-garde "Manchester School" (Birtwistle, "Max", Goehr, et al.) and with such "out there" extremists as Sorabji. That's no bad thing, I should stress - my church is easily broad enough to accommodate all of 'em!ReplyDelete
Thanks, Chris! I am happy to discover the composer side of some well-known instrumentalists. Yes, he is not at the very edge of things, but then my church has lots of pews too so to speak and I am glad nowadays to hear all spectrums if the music is well said! Thanks for your comments and for being patient with my tardy activation. So very much spam or I'd just let them post automatically! Best, GregoReplyDelete