Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Friday, June 1, 2018
The Crossing, If There Were Water, Music of Stratis Minakakis and Gregory W. Brown, Donald Nally
And with the CD at hand today they most certainly do so. I speak of the recent If There Were Water (Innova 998). It is a recording of two new works, Stratis Minakakis's "Crossing Cycle" (2015/2017) and then Gregory W. Brown's "un/bodying/s" (2017).
I must say that both works seem ideally suited to these sweet voices, as much as anything could be suited to anybody. Minakakis' five-part work trades in ancient Greek mythological terms with a musical score that is freshly and vividly situated in a sort of ancient ritualistic-in-Contemporary-Modern harmonically spicy-tangy palette extraordinaire. The close intervallic soundings are so nicely visceral that they neary take on some ambrosian chant from heavenly outer space aura. And the more wide-voiced soundings contrast and give outside musical air to it all. It is music so well conceived and brilliantly performed that it almost transcends on close listen what one might expect to experience.
Gregory W. Brown's "un/bodying/s" addresses water as a transformative thing for human culture and life itself, drawing on the creation of the Quabbin Reservoir in Western Massachusetts, 1936-46, and the after-consideration of water as an even wider metaphor. He draws on old and even archaic styles in his re-formation of collective voices as collective human being. The shape-note, archaic carol singing reference is an attention getting moment, yet the whole work it its five parts gives out with ancient echoes within an ultra-beautiful Modernist expression.
The stunning quality of the choral renditions is such that one feels transported to a super-human realm where the voices sing to us of the metamorphic beauty of being human. Or that is how I hear it all as I listen with increasing appreciation each time out.
I can say that this album stands out for the exceptional artistry of the Crossing and the subtly full and original compositional stances of Maestros Minakakis and Brown.
Anyone who loves the collective choral potential of human voices and wants to know what new music has been made available for them would do very well to get this album, the sooner the better. It is a blockbuster, there is no doubt in my mind.
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