As is characteristic of such solo music, the pieces call upon the percussionist to move rapidly from sound color group to sound color group, often enough via movement from instrument to instrument (pitched or otherwise) as a sort of "one-man band," but also at times concentrating on a single instrument or family, such as the marimba or suspended cymbals.
We get to hear Tim Patterson give us his focused, virtuoso take on "Interactions" (1963) for vibraphone and percussion, "Three Pieces for the Winter Solstice" (1968) for solo vibraphone, "Five Miniatures" (1968), "Duets & Solos" (1968), "Blanchard Canyon" (1985) for amplified suspended cymbals, and "Five Short Pieces for Marimba" (2000).
The music of the early period understandably follows the sort of asymetrical arcs favored by high modernist style in those days. The later works stray from that paradigm at times. In both cases the music is excellently crafted and inspired.
Tim Patterson gives us definitive performances that all who appreciate the sound possibilities inherent in the solo percussion oeuvre will find quite absorbing and worthwhile.