Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Thursday, July 6, 2017
Erik Satie, Musique d'Entracte, Almost Forgotten Masterpieces, Fumio Yasuda
No disappoinment here, happily. What we have is a nicely judicious selection of more-or-less lesser-known Satie miniatures arranged for piano and prepared piano (Furnio Yasuda), clarinet-bass clarinet-saxophone (Joachim Badenhorst), and cello-voice (Julie Laderach).
The 13 short works in the anthology include "Cinema," which Satie wrote for the film Entre-Acte. Then there's "Dance of the Man and the Woman" from Relache, a brief, quietly articulated prepared-piano centric version of "Vexations" and a smart peppering of other short works, many originally conceived for solo piano but given very sympathetic treatment by the trio. They aren't afraid to introduce a smattering of free improv or jazz-type solos now and again, add some Bill Evans-like rubatos or otherwise treat the ever-varied, brilliant works to more adventurous touches than one might expect.
Once the music is over, you might like me want to play the whole thing again right then and there. It is a worhwhile approach to some of Satie's most advanced, quirky and/or lyrical masterworks.The glowing re-creations help remind us how timeless his music can be. Most of this might have been written yesterday. Yet of course it was not. Yasuda and trio bring it all alive for us, beautifully.
Posted by Grego Applegate Edwards at 5:46 AM
Labels: modern contemporary treatments of satie gems, satie musique d'entracte almost forgotten masterpieces fumio yasuda gapplegate classical-modern review, trio arrangements of satie miniatures
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A beautiful album! The jazz solos were indeed a (nice) surpriseReplyDelete