Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Monday, July 8, 2019
Edition Musikfabrik 15, STURM, Steffen Schleiermacher, Kaija Saariano, Michael Wertmuller
Three contrasting works are given to us on the program. Stefen Schleiermacher's Das Tosen des Staunenden Echos begins things with a flourish. Then comes Kaija Saariano's absorbing The Tempest Songbook and the freely jazzed chamber work Antagonisme Controle by Michael Wertmuller.
The performances leave nothing to be desired. Ensemble Musikfabrik under conductors Jean Deroyer, Emilio Pomarico and Christian Eggen, respectively, form a very good tandem for the program.
Schleiermacher's Das Tosen des Staunenden Echos combines caustically exciting piano insistencies with some breathtaking ensemble forays for a fantastic whirlwind of sound.
The Tempest Songbook features vocalists Olivia Vermeulen and Peter Schone with the Ensemble for a typically stunning Saariaho essay in color and substance.
Free Jazz dynamo tenor sax-soprano-clarinetist Peter Brotzmann unleashes a torrent of energy with his co-soloists Dick Rorhbrust and Marino Plinkas. All team up beautifully with the Ensemble for one of the most exhilaratingly effective Free Improv-New Music meldings of the last decade.
The program in the end comes through with a nicely freshening breeze of the Contemporary chamber orchestra world at its very best. Ensemble Musikfabrik show themselves to be one of the most engaging and accomplished chamber ensembles active today.
My highest recommendations for this one if you seek the very new, the state-of-the-art on the scene right now. Bravo!
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Great review, Grego! I'm featuring Tempest Songbook on the next Martian Gardens!ReplyDelete