Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Friday, November 15, 2019
Donnacha Dennehy, The Hunger, Alarm will Sound, Alan Pierson, Katherine Manley, Iarla O Lionaird
Alan Pierson deftly directs Alarm will Sound. Katherine Manley and Iarla O Lionaird are quite incredible as vocalists, incorporating a folk element (especially Lionaird's "old-style" vocal part) into the Gaelic-Realist lyricism and heartrendingly stark poetics.
The music has a sort of Post-Minimal flavor which involves both a contemplative element and churning figurations almost fiddle-like yet original in themselves. The main "narrative thread" (quoting liners) comes from Asenath Nicholson's Annals of the Famine in Ireland, published in New York in 1851, quoting victims of the debacle, most notably Maire Ni Dhroma. In the present day situation we also have singer Citi Ni Ghallachoir contributing moving words on the death of a child. The five movements/interconnected vignettes starkly draw out a story line with dimensions of the disaster both harrowingly experiential and tragic.
This is the concert version of the work. There is also one for the stage. It is masterful, moving, phenomenal and landmark. It is tonal and very vernacular so to speak, yet it is not about quoting folk material and in the end establishes musical parameters that speak in very original ways, at times chant-like and ever earthy..
Words seem inadequate to convey the power of this work, its originality, its impact. One must experience it firsthand by listening.
I strongly recommend this one for a handle on our most Modern New Music output today, for a work that seems to me destined to influence us all and most certainly move us in the process.
Posted by Grego Applegate Edwards at 4:15 AM
Labels: donnacha dennehy the hunger alarm will sound pierson manley o lionaird gapplegate classical-modern review, irish new music masterworks today, post-minimal modernism for vocals and chamber orchestra
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