Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
Search This Blog
Tuesday, December 24, 2019
Hope Lee, Across the Veiled Distances, Yumiko Megun, Stefan Hussong
The clearly sensuous facticity of part articulation is given palpable creative thrust in the readings here by excellent exponent Yumiko Meguri, a pianist of decidedly high caliber with great sympathy to Hope Lee's poetics of piano gesture.
She is joined by no lesser an artist in accordionist Stefan Hussong for the duet "Imaginary Garden V renewed at every glance" (2017). It has drama and bite, torque and some mystery. As the interactions proceed the level of invention remains high throughout.
Another very bright moment occurs with the close-knit "entends entends le passe qui marche..." (1992) which conjoins a live piano part with more-or-less musique concrete sound files.
The solo piano works are all concentrically riveting in their own ways, each of a piece yet showing Hope Lee's wonderfully varied intimacy with, and profound affinity for the pianoforte at its expressive best.
The final work, "...reflection on recollection" (2015) has lots of fire to it and epitomizes the program as a whole. But of course the point of the trip is in its traversing so we can gain just as much as we listen closely to the other solo piano works "across the veiled distances" (1996) and "Dindle" (1979) as well.
This is an ear-opening and well-performed New Music piano session, a highlight of the year! If you resonate with the piano and the Modern this one is essential and lively. Listen by all means.
Subscribe to: Post Comments (Atom)
Post a Comment