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Tuesday, May 10, 2016
Laura Metcalf, First Day, with Matei Varga
Ms. Metcalf has a beautiful tone, a projecting sense of line and an extroverted joie de vivre that matches the repertoire very nicely. The lesser known contemporary works--Jose Bragato's "Gracia y Buenos Aires," Caleb Burhans' "Phantasie" and Dan Visconti's bluesy "Hard-knock Stomp" blend right in with the more familiar fare. All give Laura a chance to soar rhapsodically with a goodly amount of that exotic minor flavor we associate with Eastern European and Spanish/Spanish-Latin American music.
So Ms. Metcalf seems just right for Martinu's "Variations on a Slovakian Theme," Ginastera's "Pampeana No. 2, Op. 21," Enescu's "Sonata in F Minor," Poulenc's "Les chemins de l'amour" (where we get a taste of her lovely voice as well), and an especially soaring version of Marin Marais (1656-1728) and his beautiful "Variations on 'La Folia'."
Laura Metcalf brings us a sense of assuredness and a projectively dramatic way that is forwarded wonderfully by Matei Varga. It is a most beautiful recital that proclaims Laura's arrival as a major present-day cellist.
It is something to revel in, surely. Molto bravo!