Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Wednesday, May 25, 2016
Robert Schumann, Violin Concerto, Symphony No. 1 "Spring", Phantasie for Violin and Orchestra, Thomas Zehetmair, Orchestre de chambre de Paris
Zehetmair provides us with an emotionally exuberant version of the Concerto, with a very convincing performance-argument for the importance of the work. He is an ideal Schumann exponent which we hear readily in the Concerto and the Phantasie and then again for a stirring reading of the Spring Symphony.
The Orchestre chambre de Paris sounds inspired and motivated to bring us a Schumann that sounds less Beethovenesque than one sometimes hears. There is plenty of passion but a nice balance with the more modest-sized orchestra, so that winds get a fuller presence than one sometimes hears, the strings very much present but not ultra-dominant.
The big surprise certainly is the very convincing performance of the Concerto, yet its largess of expression fits right in with the treatment of the Spring Symphony and the Phantasie.
Surely all who appreciate Schumann will find the performance of the Concerto moving and revelatory, the other works detailed, impassioned and true-to-form. Thomas Zehetmair is a world-class artist whose loving attention to the music gives us a near ideal picture of the works as envisioned by the composer. Bravo!
Posted by Grego Applegate Edwards at 4:45 AM
Labels: schumann's violin concerto in a revised edition, thomas zehetmair robert schumann violin concerto spring symphony and the phantasie orchestre chambre de paris gapplegate classical-modern review
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