Modern classical and avant garde concert music of the 20th and 21st centuries forms the primary focus of this blog. It is hoped that through the discussions a picture will emerge of modern music, its heritage, and what it means for us.
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Wednesday, October 2, 2019
Hans Werner Henze, Das Floss der Medusa, Peter Eotvos, WDR Symphonie Orchester, WDR Rundfunkchor, etc.
And in listening I could not help but draw comparisons with Berg's Wozzeck--in the sense that the work feels like a kind of descendant in mode, sound and mood of pathos, a familiar in its own right, with likenesses and differences that perhaps a grandson might exhibit.
It is the choral-soloist-orchestral opus that Henze did so well. If you do not understand German the somewhat lengthy parts narrated/recited in that language may be less interesting than more, but then there is a great deal of wonderful moments in the music, ultra-High Modern in ways unique to Henze, a titan in the world he walked tall within. We hear why in this recording.
There are other works something like this to audition but I must say I am quite happy with the performance/work at hand as a whole after listening heavily to it. Anyone who wants to know Henze or know him better would be well-served and enlivened by this one. And it would be a valuable addition to the confirmed Henze fan's library. Recommended.
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