The format necessitates a brevity that refreshes via understatement. We get two different works, one for each side, all coming in somewhere under ten minutes. The first side is for eight soprano recorders. It proffers a rather dense jungle of turbulent, tonal sound. This is a recorder ensemble that creates a panorama of busy, fluttering, flighty sonics with a thick overall texture, a kind of high-vitamined avery. In the course of the short work the motives begin with longer phrases and transform into a series of rapid trills.
The second work features eight alto recorders. It begins with continuous unison tones which gradually transform into trills that alternate with the root tone in a patterned pulsation that has soundscaped qualities as well as a regularity. The number of different trills increases until the sound is more chordal than drone and trill. In the end the recorders sound a sort of ritualized drone of root and third.
The short, unassuming nature of the two works charm and give you a sound world both intimate and expansive. The mini-concert ends with you wanting more. Apparently next on the docket for Løkkegaard is music for multiple chromatic tuners.
This is a fun adventure!